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Robert A. Heinlein chronology


RAH8811A.BIB 1.01 dh:89-02-18






Heinlein Chronology

This continuation of my collection of annotated bibliographic
materials is devoted to reconstructing the chronology of
publication of Robert A. Heinlein's work. The chronology given
by Leon E. Stover in his biography is taken as a point of
departure, with cross-references to Stover's citations of the
individual works with regard to various themes taken up in the
biography.

This is by no means a comprehensive chronology, and I have not
verified all of the citations. I expect that there are errors
concerning some of the changes of titles, and also concerning the
original publications. I also regret that it is now difficult to
determine where the serializations of the juveniles appeared. It
is my intention to update this chronology as better information
becomes available.
-- Dennis E. Hamilton
February 8, 1989

%A Leon E. Stover
%T Heinlein Bibliography
%B Robert A. Heinlein
%I G. K. Hall & Company, Twayne Publishers
%C Boston, MA
%D 1987
%Z ISBN 0-8057-7509-9 alk. paper
%O Compiled from references throughout the work.
%K Heinlein Stover Chronology Publications Bibliography
%X I am using the Stover treatment as the basis for a chronology
on Heinlein's work. The basic sequences are from the front
matter and the appendix material. The discussions of various
works and themes result from a page-by-page analysis of the
complete bibliography. As in the similar commentary on
biographical matters, references in the form [LS:...] are to the
Stover biography, [EU:...] is to Heinlein's own commentaries in
"Expanded Universse." I have also added additional citations
from other sources and corrected a few of the misprinted listings
in [LS]. I have maintained the chronology of first publication,
to the extent known, so that there is a firm perspective on how
the author's work developed and overlapped. Of course, a more
reliable treatment would review when the works were written, not
published, even though most of Heinlein's short works appear to
have sold quickly. By Heinlein's own admission, the
chronological work was not without influence from contemporary
affairs and personal experiences (such as his ideas about world
government and the experience of visiting the Soviet Union). It
is therefore useful to match the chronology with events in the
lives of the Heinleins and of America.
Robert A. Heinlein. Life-Line. Astounding Science Fiction.
August, 1939. Collected in The Man Who Sold the Moon (1950), The
Worlds of Robert A. Heinlein (1966), The Past through Tomorrow
(1967), Expanded Universe (1980). circumstances for writing,
rejection by Colliers [LS:21-22]; heroic capitalism [LS:30];
contrast of Pinero and Shipstone [LS:68]; tale of election of
grace [LS:100-101]; fact over theory [LS:102-103]; destiny
[LS:104].
Robert A. Heinlein. Misfit. Astounding Science Fiction.
November, 1939. Collected in Revolt in 2100 (1953), The Past
through Tomorrow (1967). personal destiny [LS:104-105]; one-and-
the-many [LS:110-111].
Robert A. Heinlein. Requiem. Astounding Science Fiction.
January, 1940. Collected in The Man Who Sold the Moon (1950),
The Past through Tomorrow (1967). value of honest labor [LS:16];
space ship "Lunatic," The Man Who Sold the Moon [LS:25]; personal
destiny [LS:105-106].
Robert A. Heinlein. If This Goes On--. Astounding Science
Fiction. March, 1940. Collected in Revolt in 2100 (1953); The
Past through Tomorrow (1967). testament against revolutionary
elites [LS:68]; women and combat [LS:70-71].
Lyle Monroe. Let There Be Light. Super Science Stories.
May, 1940. Collected in The Man Who Sold the Moon (1950).
belongs in Future History [LS:36]; opposition to protected
monopolies [LS:44]; learning experience in human relations
[LS:65].
Robert A. Heinlein. The Roads Must Roll. Astounding Science
Fiction. June, 1940. Collected in The Man Who Sold the Moon
(1950). relationship to 1981 air-trafffic controllers' strike
[LS:7].
Robert A. Heinlein. Coventry. Astounding Science Fiction.
July, 1940. Collected in Revolt in 2100 (1953); The Past through
Tomorrow (1967). viewpoint [LS:114-121]; impossibility of social
control [LS:120].
Robert A. Heinlein. Blowups Happen. Astounding Science
Fiction. September, 1940. Collected in The Man Who Sold the
Moon (1950); The Worlds of Robert A. Heinlein (1966); The Past
through Tomorrow (1967), Expanded Universe (1980). relation to
1986 Chernobyl disaster [LS:7]; individuals over insurmountable
obstacles [LS:27]; reference to D.D. Harriman [LS:41].
Robert A. Heinlein. The Devil Makes the Law. Unknown Worlds.
September, 1940. Collected as "Magic, Inc." in Waldo and Magic,
Inc. (1950). Heinlein's first fantasy story [LS:34-35].
Anson MacDonald. Sixth Column. Astounding Science Fiction.
January-March, 1941. Published as The Day after Tomorrow (1949).
Signet Books edition, 1949. Later reprints restore the original
title.
Robert A. Heinlein. --And He Built a Crooked House--.
Astounding Science Fiction. February, 1941. Collected in 6 x H
(1959). relationship to Claude Bragdon's 1913 Primer of Higher
Space [LS:4] part of Future History anthologized elsewhere
[LS:36].
Robert A. Heinlein. Logic of Empire. Astounding Science
Fiction. March, 1941. Collected in The Green Hills of Earth
(1951); The Past through Tomorrow (1967). Frederick Douglass on
freedom [LS:62]; one-and-the-many [LS:110-111].
Robert A. Heinlein. They. Unknown Worlds. April, 1941.
Collected in 6 x H (1959). not solipsistic [LS:106-108];
Glaroon of "Job" [LS:106]; collective immortality [LS:108-109];
volition [LS:109-110].
Robert A. Heinlein. Universe. Astounding Science Fiction.
May, 1941. 10 cent Dell Book (New York: 1951). Collected in
Orphans of the Sky (1964). failure of first starship "Vanguard"
[LS:25]; part of Future History but not collected with it
[LS:36]; fact versus theory [LS:104].
Anson MacDonald. Solution Unsatisfactory. Astounding Science
Fiction. May, 1941. Collected in The Worlds of Robert A.
Heinlein (1966), Expanded Universe (1980).
John W. Campbell. History to Come (editorial). plan of the
Future History Series. Astounding Science Fiction. May, 1941.
pp. 5, 123-125. The now-famous table is updated and reprinted in
many of the collections, and is found on pp.660-661 of the
Berkley Medallion edition of "The Past Through Tomorrow (1967)."
type-casting and need for pseudonyms [LS:35-36]; origin of
"Future History" [LS:63].
Anson MacDonald. We Also Walk Dogs. Astounding Science
Fiction. July, 1941. Collected in The Green Hills of Earth
(1951), The Past Through Tomorrow (1967).
Robert A. Heinlein. Methuselah's Children. Astounding
Science Fiction. July-September, 1941. (3-part serialization).
1958. Signet Books edition, 1960. Collected in The Past through
Tomorrow (1967). connection with Universe, success of second
starship, "New Frontiers" [LS:25]; Howard Families as metaphor
for American pluralism [LS:62]; selflessness as laziness
[LS:93-94].
Caleb Saunders. Elsewhere. Astounding Science Fiction.
September, 1941. Collected as "Elsewhen" in Assignment in
Eternity (1953). only use of this pseudonym, metaphorical fantasy
[LS:37]; method of transport [LS:39].
Robert A. Heinlein. Common Sense. Astounding Science
Fiction. October, 1941. Collected in Orphans of the Sky (1964).
part of Future History, but not collected with it [LS:36].
Anson MacDonald. By His Bootstraps. Astounding Science
Fiction. October, 1941. Collected in The Menace from Earth
(1959). only story dealing with individual damnation
[LS:98-100]; free will and predestination [LS:126].
Lyle Monroe. Lost Legion. Super Science Stories. November,
1941. Collected as "Lost Legacy" in Assignment in Eternity
(1953). playful treatment of ghost-horror subgenre [LS:34-35].
John W. Campbell. editorial announcement. Astounding Science
Fiction. February, 1942. p.35. Reports return of both Robert A.
Heinlein and Anson MacDonald to navy service [LS:36].
Lyle Monroe. My Object All Sublime. Future. February, 1942.
Anson MacDonald. Goldfish Bowl. Astounding Science Fiction.
March, 1942. Collected in The Menace from Earth (1959).
aliens/gods [LS:109].
Anson MacDonald. Beyond This Horizon. Astounding Science
Fiction. April-May, 1942. 1948. Signet Books edition, 1960.
failed genetic utopia, man as a wild animal incapable of
domestication for any purpose whatever [LS:33].
Anson MacDonald. Waldo. Astounding Science Fiction. August,
1942. Collected in Waldo and Magic, Inc. (1950). last story
written before returning to service in December, 1941 [LS:36];
magical power source [LS:39].
John Riverside. The Unpleasant Profession of Jonathan Hoag.
Unknown Worlds. October, 1942. Collected in 6 x H (1959).
comments on choice of name, pure fantasy [LS:38]; realistic
companionate marriage [LS:64-65]; comparison to Bonner-Sakharov
struggle [LS:65].
Robert A. Heinlein. Testing in Connection with the
Development of Strong Plastics for Aircraft. Naval Air Materials
Center (Philadelphia: 1944). invention of space suit with L.
Sprague de Camp [LS:22]; virtues of clear technical writing
[LS:23].
Robert A. Heinlein. Dance session. unpublished poem (June,
1946). Collected in New Destinies 6 (Winter, 1988).
Robert A. Heinlein. The witch's daughters. unpublished poem
(August, 1946). Collected in New Destinies 6 (Winter, 1988).
Robert A. Heinlein. The Green Hills of Earth. Saturday
Evening Post. 1947. Collected in The Green Hills of Earth
(1951); The Past through Tomorrow (1967). Stover lyrics for "Up
Ship!" [LS:preface]; Mars [LS:55]; ethical meaning of new
frontiers [LS:94-95]; ownership of good works [LS:119].
Robert A. Heinlein. Space Jockey. Saturday Evening Post.
April 26, 1947. Collected in The Green Hills of Earth (1951),
The Past through Tomorrow (1967).
Lyle Monroe. Pied Piper. Astonishing Stories. May, 1947.
Lyle Monroe. Columbus Was a Dope. Startling Stories. May,
1947. Collected in The Menace from Earth (1959). belongs in
Future History [LS:36].
Robert A. Heinlein. It's Great to Be Back! Saturday Evening
Post. July 26, 1947. Collected in The Green Hills of Earth
(1951), The Past through Tomorrow (1967). pioneering spirit
[LS:32-33].
Robert A. Heinlein. Jerry Is a Man. Thrilling Wonder
Stories. October, 1947. Collected as "Jerry Was a Man" in
Assignment in Eternity (1953).
Robert A. Heinlein. Water is for Washing. Argosy.
November, 1947. Collected in The Menace from Earth (1959).
Robert A. Heinlein. On the Writing of Speculative Fiction.
pp. 11-19 in Of Worlds Beyond: The Science of Science Fiction
Writing. Lloyd Arthur Eshback, ed. Advent (Chicago: 1947).
pulling fantasy and science fiction together as speculative
fiction [LS:35].
Robert A. Heinlein. The Black Pits of Luna. Saturday Evening
Post. January 10, 1948. Collected in The Green Hills of Earth
(1951), The Past through Tomorrow (1967). pioneering types and
spirit [LS:30-31].
Robert A. Heinlein. Ordeal in Space. Town & Country. May,
1948. Collected in The Green Hills of Earth (1951), The Past
through Tomorrow (1967).
Robert A. Heinlein. Gentlemen, Be Seated! Argosy. May,
1948. Collected in The Green Hills of Earth (1951), The Past
through Tomorrow (1967).
Robert A. Heinlein. Our Fair City. Weird Tales. January,
1949. Collected in 6 x H (1959).
Robert A. Heinlein. Rocket Ship Galileo. Scribner's (New
York: 1947).
Robert A. Heinlein. Space Cadet. Scribner's (New York:
1948). Heinlein's affection for the academy life [LS:18];
connection to The Long Watch [LS:41].
Robert A. Heinlein. The Long Watch. American Legion
Magazine. December, 1949. Collected in The Green Hills of Earth
(1951), The Past through Tomorrow (1967), New Destinies 6
(Winter, 1988). connection to Space Cadet [LS:41].
Robert A. Heinlein. Delilah and the Space Rigger. Blue Book.
December, 1949. Collected in The Green Hills of Earth (1951),
The Past through Tomorrow (1967).
Robert A. Heinlein. Gulf. Astounding Science Fiction.
December, 1949. Collected in Assignment in Eternity (1953).
connection to "Friday" [LS:p.67]; superman stories [LS:67-68].
Robert A. Heinlein. Red Planet. Scribner's (New York: 1949).
Lowell's Mars here, in Stranger in a Strange Land, and the Green
Hills of Earth [LS:55].
Robert A. Heinlein. Destination Moon. Short Story Magazine.
September, 1950. Collected in Three Times Infinity, Leon
Margulies, editor. Gold Medal Books, 1958. costs of
exploration, Challenger disaster [LS:44-45].
Robert A. Heinlein. Destination Moon (screenplay). An
Eagle-Lion release produced by George Pal, directed by Irving
Pichel, featuring John Archer, Warner Anderson, Tom Powers, and
Dick Wesson (with cameo appearance by Woody Woodpecker). 91
minutes, color. [LS:134 chapter 5 note 3].
Robert A. Heinlein. The Man Who Sold the Moon. Original
story included in the collection of the same name, 1950.
Collected in The Past through Tomorrow (1967). drawing on
pioneering forbearers [LS:8]; relationship of D. D. Harriman to
Edward Henry Harriman, Carlyle [LS:9]; cats [LS:14]; Harriman's
wonderful dream [LS:16]; spaceship "Santa Maria" [LS:25];
significance of renaming from "Care Free", divine ordination of
human diaspora into space, space and peace [LS:27-28];
responsibility of wealth [LS:87-88]; one-and-the-many
[LS:110-113].
Robert A. Heinlein. The Man Who Sold the Moon. 1950. Signet
Books edition, 1973. Collection of Blowups Happen (1940), Let
There Be Light (1940), Life-Line (1939), The Man Who Sold the
Moon (1950), Requiem (1940), and The Roads Must Roll (1940).
Robert A. Heinlein. Farmer in the Sky. Scribner's (New York:
1950). hard work and unconquerable courages [LS:44].
Robert A. Heinlein. Waldo and Magic, Inc. (Waldo: Genius in
Orbit). Doubleday (New York: 1950). Avon Books edition, 1950.
Del Rey Ballantine Books edition, 1986. Collects The Devil Makes
the Law (1940) and Waldo (1942).
Robert A. Heinlein. Between Planets. Scribner's (New York:
1951).
Robert A. Heinlein. The Puppet Masters. Galaxy Science
Fiction. September - November, 1951. 1951. Signet Books
edition, 1951.
Robert A. Heinlein. Tom Corbett, Space Cadet. Television
series. 1951 to 1954. Videotapes available in catalog of
Nostalgia Merchant, A Division of Media Home Entertainment, Inc.
(Culver City, CA) [LS:134 chapter 5 note 4]. This series was
Heinlein's concoction, according to Raymond J. Healy and J.
Francis McComas in "Famous Science Fiction Stories: Adventures in
Time and Space" [Modern Library (New York: 1946, 1957)]. based
on "Space Cadet (1948)" [LS:45].
Robert A. Heinlein. The Green Hills of Earth. 1951. Signet
Books edition, 1951. Collection of The Green Hills of Earth
(1947), The Black Pits of Luna (1948), Delilah and the Space-
Rigger (1949), Gentlemen, Be Seated! (1948), It's Great to Be
Back! (1947), Logic of Empire (1941), The Long Watch (1949),
Ordeal in Space (1948), Space Jockey (1947), We Also Walk Dogs
(1941).
Robert A. Heinlein. The Year of the Jackpot. Galaxy Science
Fiction. March, 1952. Collected in The Menace from Earth
(1959). atypical outcome [LS:98].
Robert A. Heinlein. Where To? Life in 2000 A.D. Galaxy
Science Fiction. 1952. Predictions first updated as "Pandora's
Box" in The Worlds of Robert A. Heinlein (1966) and updated again
as "Pandora's Box" and "Where To?" in Expanded Universe (1980).
Robert A. Heinlein. Ray Guns and Rocket Ships. 1952.
Collected in Expanded Universe (1980). on writing for juveniles
[LS:10-11].
Robert A. Heinlein. The Rolling Stones. Scribner's (New
York: 1952). room enough "to swing a cat" [LS:14]; excellence of
technical exposition [LS:23]; instructive influence of the
Heinlein juveniles [LS:24]; message [LS:43].
Robert A. Heinlein, ed. Tomorrow the Stars. 1952. Berkley
Books edition, 1967.
Robert A. Heinlein. Project Nightmare. Amazing Stories.
April, 1953. Collected in The Menace from Earth (1959).
Robert A. Heinlein. Sky Lift. Imagination. November, 1953.
Collected in The Menace from Earth (1959).
Robert A. Heinlein. Starman Jones. Scribner's (New York:
1953). rating with Huckleberry Finn and Treasure Island [LS:10];
theological reading [LS:115-116].
Robert A. Heinlein. Assignment in Eternity. 1953. Signet
Books edition, 1970. Collects Elsewhen (1941), Gulf (1949),
Jerry Was a Man (1947), and Lost Legacy (1941).
Robert A. Heinlein. Revolt in 2100. 1953. Signet Books
edition, 1970. Collects Coventry (1940), If This Goes On--
(1940), and Misfit (1939). disclaimer of any predictive ability
[LS:63].
Robert A. Heinlein. The Star Beast. Scribner's (New York:
1954).
Robert A. Heinlein. Project Moonbase (screenplay). Lippert
Productions.
Robert A. Heinlein. Tunnel in the Sky. Scribner's (New York:
1955). juvenile heroism [LS:31-32].
Robert A. Heinlein. Double Star. Astounding Science Fiction.
February-April, 1956. 1956 Hugo Award. Signet Books edition,
1970. Farleyfiles [LS:18-19].
Robert A. Heinlein. Time for the Stars. Scribner's (New
York: 1956). basics of mental health [LS:23-24].
Robert A. Heinlein. The Door Into Summer. The Magazine of
Fantasy and Science Fiction. October-December, 1956. Signet
Books edition, 1975. opening paragraph compared with Poe
[LS:4-5]; Petronius the Arbiter and a former Heinlein cat
[LS:14]; recovery from loss [LS:20]; one-and-the-many
[LS:110-111].
Robert A. Heinlein. The Menace from Earth. The Magazine of
Fantasy and Science Fiction. August, 1957. Collected in The
Menace from Earth (1959).
Robert A. Heinlein. The Man Who Traveled in Elephants.
Saturn. October, 1957. Collected as "The Elephant Circuit" in 6
x H (1959). Collected in New Destinies 6 (Winter, 1988). ideals
of sex quality [LS:65].
Robert A. Heinlein. Citizen of the Galaxy. Scribner's (New
York: 1957). frontier advantages [LS:31]; knowledge of
anthropology, Margaret Mader = Margaret Mead [LS:40]; First Human
Civilization to come [LS:95].
Robert A. Heinlein. Have Space Suit -- Will Travel.
Scribner's (New York: 1958). comparison with Huckleberry Finn
and Treasure Island [LS:10]; modern chivalry [LS:74]; cult of
mediocrity [LS:90]; responsibility of natural gifts [LS:90-93];
theological reading [LS:116].
Robert A. Heinlein. All You Zombies--. The Magazine of
Fantasy and Science Fiction. March, 1959. Collected in 6 x H
(1959). breaking out of the mold under his own name [LS:38];
rejection, not embrace of solipsism [LS:41].
Robert A. Heinlein. The Menace from Earth. 1959. Signet
Books edition, 1970. Collects By His Bootstraps (1941), Columbus
Was a Dope (1947), Goldfish Bowl (1942), The Menace from Earth
(1957), Project Nightmare (1953), Sky Lift (1953), Water is for
Washing (1947), The Year of the Jackpot (1952).
Robert A. Heinlein. 6 x H. 1959. Pyramid Books edition,
1961. Reprints All You Zombies (1959), And He Built a Crooked
House (1941), The Elephant Circuit (1957), Our Fair City (1949),
They (1941), and The Unpleasant Profession of Jonathan Hoag
(1942).
Robert A. Heinlein. Starship Troopers. The Magazine of
Fantasy and Science Fiction. October - November, 1959. Putnam's
(New York: 1960). 1960 Hugo Award. Signet Books edition, 1961.
rejection by Scribner's, although one of the juveniles [LS:45];
criticism, SFWA, SFRA, fascism [LS:46-47, 134 chapter 5 note 6];
moral difference between soldiers and civilians [LS:47-52];
metaphor for the cold war [LS:60].
Robert A. Heinlein. Stranger in a Strange Land. 1961. Avon
Books edition, 1962. 1962 Hugo Award. First book by a devoted
science-fiction writer to reach the New York Times best-seller
list. invention of water bed [LS:18]; sexuality [LS:53-55];
purpose of sex, primacy of women [LS:54]; getting rich in
America, religion [LS:55-56]; phony Charles Manson story
[LS:56-57]; Red Planet [LS:55]; critical self-reflection and the
American identity [LS:57-60]; title not Heinlein's [LS:134
chapter 6 note 3].
Robert A. Heinlein. Searchlight. Scientific American.
August, 1962. Fortune. September, 1962. (and many others:
printed as part of an advertising campaign). Collected in The
Worlds of Robert A. Heinlein (1966); The Past through Tomorrow
(1967). factual basis [LS:2; EU:447-452].
Robert A. Heinlein. Podkayne of Mars. If. November 1962 -
March 1963. Putnam's (New York: 1963). Berkley Books edition,
1975. use of viewpoint for ironic defamiliarization [LS:11-12];
Bertrand Russell [LS:12]; intended as juvenile, delay in
publication [LS:45-46].
Robert A. Heinlein. Glory Road. The Magazine of Fantasy and
Science Fiction. July-September, 1963. Berkley Books edition,
1970. importance of heroes [LS:52].
Robert A. Heinlein. Farnham's Freehold. If. July-August,
1964. Signet Books edition, 1965. branded racist [LS:60-61];
duty to family [LS:61]; Heinlein's only graphical depiction of
sex [LS:64].
Robert A. Heinlein. Orphans of the Sky. 1964. Signet Books
edition, 1965. Collects Universe (1941) and Common Sense (1941)
under one cover.
Robert A. Heinlein. The Moon is a Harsh Mistress. If.
December 1965 - April 1966. 1966. 1967 Hugo Award. Berkley
Books edition, 1968. colonial spirit [LS:32-33]; socialist
origins of TANSTAAFL! [LS:83-84]; importance of manners and
relationship to The Cat Who Walks Through Walls [LS:84-85].
Robert A. Heinlein. Free Men. Original story prepared for
The Worlds of Robert A. Heinlein. 1966. Collected in Expanded
Universe (1980).
Robert A. Heinlein. The Worlds of Robert A. Heinlein. Ace
Books (New York: 1966). Collection of Blowups Happen (1940),
Free Men (1966), Life-Line (1939), Searchlight (1962), Solution
Unsatisfactory (1941). Updates "Where To?" (1952) as "Pandora's
Box." Updated and expanded in "Expanded Universe (1980)."
Robert A. Heinlein. The Past through Tomorrow. G.P. Putnum's
(New York: 1967). Berkley Medallion Books edition, 1975.
Collects The Black Pits of Luna (1948), Blowups Happen (1940),
Coventry (1940), Delilah and the Space-Rigger (1949), Gentlemen,
Be Seated! (1948), The Green Hills of Earth (1947), If This Goes
On-- (1940), It's Great to be Back (1947), Life-Line (1939),
Logic of Empire (1941), The Long Watch (1949), The Man Who Sold
the Moon (1950), The Menace from Earth (1957), Methuselah's
Children (1941), Misfit (1939), Ordeal in Space (1948), Requiem
(1940), Searchlight (1962), Space Jockey (1947), We Also Walk
Dogs (1941). subtlety of the title [LS:25-26].
Robert A. Heinlein. I Will Fear No Evil. Galaxy Science
Fiction. July-December, 1970. Putnam's (New York: 1970). when
the fans themselves complain [LS:62]; the great brain transplant
joke [LS:63-64].
Robert A. Heinlein (guest commentator). p.107 in "10:56:20PM,
EDT, 7/20/69: The historic conquest of the moon as reported to
the American people by CBS over the CBS Television Network."
Columbia Broadcasting System (New York: 1970). presence of
Arthur C. Clarke, Isaac Asimov, Ray Bradbury, and Walter Cronkite
[LS:43].
Robert A. Heinlein. Channel Markers. James Forrestal
Memorial Lecture delivered at the U. S. Naval Academy, Anapolis.
April 5, 1973. Tape recording no. 190, "Forrestal Lecture at the
U.S. Naval Academy", American Audio Prose Library (Columbia, MO:
1973). Guest editorial in Analog Science Fiction/Science Fact.
January, 1974. Reprinted as "The Pragmatics of Patriotism" in
Expanded Universe (1980). inspirational guidance of young readers
[LS:1-2].
Robert A. Heinlein. The Notebooks of Lazarus Long.
Astounding Science Fiction. June 1973. Portions of Time Enough
for Love (1974). Collected in New Destinies 6 (Winter, 1988).
sanity of "horse sense," relationship to Twain's Pudd'nhead
Wilson [LS:9-10]; positive outlook on human future [LS:12];
virtues of free enterprise [LS:13]; ailurophilia [LS:13-14];
self-reliance, human selfishness as virtue [LS:27-29]; inequities
of life, nature [LS:32]; protection of pregnant women and young
children, basis of society [LS:54]; sex and love [LS:64]; life is
rigged [LS:83]; Protestant work ethic [LS:88-90]; self-respect
[LS:93]; selfishness as productive force [LS:95]; duty
[LS:96-97]; human race, immortality of Man [LS:101-102]; fact
versus theory [LS:103-104]; humanity/Deity [LS:120-121].
Robert A. Heinlein. Time Enough for Love: The Lives of
Lazarus Long. 1973. Berkley Books edition, 1974. New York
Times best-seller list. resumption of Lazarus Long epic begun in
Methuselah's Children (1941) [LS:chronology]; inspiration by
grandfather Alva E. Lyle [LS:8-9]; pioneering in starships
[LS:25]; superiority of women to men [LS:65]; oedipal indictment
[LS:73]; epic form [LS:73-74]; Howard Foundation [LS:74];
Emersonian self-reliance [74-78]; family virtues [LS:76-78];
women-and-children-first [LS:71]; group marriage [LS:71];
calvinist determinism [LS:88-89]; time enough for love [LS:93].
Robert A. Heinlein. No Bands Playing, No Flags Flying--.
1973. Collected in Expanded Universe (1980). treatment of bed
patients [LS: 18]
Robert A. Heinlein. Developments in Theoretical Physics.
1975 Compton Yearbook. Encyclopeida Britannica, Inc. [LS:66].
Robert A. Heinlein. History of Hematology. 1976 Compton
Yearbook. Encylclopedia Britannica, Inc. Reprinted as pamphlet
"Are You a `Rare Blood'?" [LS:66].
Robert A. Heinlein. Applications of Space Technology for the
Elderly and Handicapped. Testimony before a joint session of the
House Select Committee on Aging and the House Committee on
Science and Technology. Washington, DC. July 19, 1979.
Robert A. Heinlein. The Number of the Beast. Fawcett
Columbine (New York: 1980). New York Times best-seller list.
featuring Lazarus Long [LS:chronology]; "where cat is, is
civilization" [LS:14]; a romp [LS:39]; magic, multiple-ego
solipsism, contrast to Waldo (1942) and Elsewhen (1941)
[LS:39-40]; connection with Lucifer, 666, Job [LS:42]; Heinlein's
one "puzzle" book [LS:67].
Robert A. Heinlein. A Bathroom of Her Own. 1980. Collected
in Expanded Universe (1980). Heinlein's political campaign
experience [LS:18].
Robert A. Heinlein. Expanded Universe. Ace Books (New York:
1980). Updating of "Worlds of Robert A. Heinlein (1966)" to
include 21 uncollected pieces plus commentaries on all of them.
Robert A. Heinlein. Friday. Holt, Rinehart & Winston (New
York: 1982). "Friday's heroine is named after the Norse
fertility goddess Freya. Indeed, she herself is one of those
mythical creatures of science-fiction convention, a bionic
construct, partly human and partly artificial. This gives her
the advantage of an outsider's viewpoint, like that of the
proverbial Martian, which she does not hesitate to articulate.
[LS:p.67]" New York Times best-seller list. Re-appearance of
Hartly Baldwin from "Gulf" [LS:p.67]; cheap power, Shipstone
devices [LS:44, 68]; arguments against particularism (vs.
pluralism) [LS:68-69]; civility and manners [LS:69-70]; cultural
criticism [LS:71-72].
Robert A. Heinlein. Job: A Comedy of Justice. 1984.
Ballantine Books edition, 1984. New York Times best-seller list.
virtue over moral instruction, recovery from adversity [LS:20];
connection with The Number of the Beast [LS:42]; favored versus
Starship Trooper [LS:49]; eqalitarian marriage [LS:65]; mockery
of Moral Majority [LS:78-79]; Holy City and Stranger in a
Strange Land [LS:79-80]; Koschei and Jurgen [LS:80-81]; the
comedy of justice [LS:81-82]; Glaroon in "They" [LS:106].
Robert A. Heinlein. The Cat Who Walks through Walls: A Comedy
of Manners. Putnam's (New York: 1985). New York Times best-
seller list. featuring Lazarus Long [LS:chronology]; horse sense
as the real thing [LS:10]; published on 150th anniversary of Mark
Twain's birth [LS:14]; Pixel, the Heinlein's cat [LS:14]; multi-
person solipsism [LS:40]; possibilites of legal, social, and
political order of off-Earth habitats [LS:12-13]; lessons of
diplomacy [LS:20]; "the manners are the morals," Edmund Spenser
[LS:20]; sequel to The Moon is a Harsh Mistress [LS:83];
significance of manners [LS:84-85].
Robert A. Heinlein. A Message to the Berkley Sales Force
concerning "The Cat Who Walks through Walls." tape recording.
April 26, 1986. Transcript in Heinlein archive with opus 188
[The Cat Who Walks through Walls]. banned in Las Vegas [LS:123].
Robert A. Heinlein. To Sail beyond the Sunset--. Published
July 7, 1987 on Heinlein's 80th birthday. social criticism
[LS:122-125]; D.D.Harriman again [LS:125]; free will
[LS:125-126]; Heinlein's vision for humanity [LS:126-128].
Robert A. "Beast" Heinlein. The Names of the Beast in "The
Number of the Beast." pp. 129-130 in "Robert A. Heinlein" by
Leon Stover. Twayne G. K. Hall (Boston: 1987). biblical
allusions, fantasy celebration [LS:39-40].
Robert A. Heinlein. Grumbles from the Grave. Writings set
aside for posthumous publication. Scheduled for 1990
publication.
 
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