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Splicer's film's synopsis for Dex Riley





Larry will be wearing a white buttondown shirt and black
pants. Leslie will wear a series of similar outfits whose
shades become progressively darker from scene to scene.

(1)
Leslie is talking with friends in a nice apartment. She is
on the left side of the frame. Her friends (?) are slightly
more in the foreground. Larry peeks around the corner with a
wide grin, and jerks back around the corner just as Leslie
looks over her shoulder at him. Her friends ask what is
wrong, and she shakes her head lightly, as if it were nothing
at all.
(2)
Leslie is cooking, alone in the kitchen. Cut to point of
view: Larry as he comes around the corner and camera pulls
back to watch Larry watching Leslie over Larry's shoulder.
Cut to facial shot of Leslie looking over at Larry, shocked
and surprised, and camera pulls back physically while zoom
out to full shot of kitchen from countertop up, with no Larry
to be seen. She shudders, goes back to cooking. Larry pokes
head back around. Fade down.
(3)
Leslie is walking down the street, and Larry can be seen
following her, spritefully jumping from cover to cover, in
and out of doorways and behind signposts and mailboxes. She
turns just as he ducks into an alley. Reverse angle of
Leslie walking quickly to the alley, and we see nothing but
an empty alleyway. Camera pans as she walks away briskly.
(4)
Leslie comes through the doorway of her apartment, and locks
the door behind her. Cut to her walking into bedroom and
closing door. The door reopens slightly and we watch her
begin to undress. She looks at the camera and rushes to the
door and shuts it. The door reopens and she comes out, and
camera follows as she steps a few paces out of the doorway,
then moves around her until the camera is almost in a direct
line with the door with Leslie in between. Peeking from
behind the door is Larry, grinning maniacally. He ducks back
behind the doorway as she turns around and goes back into her
room.
(5)
Leslie is in a public place (church? restaurant?), sitting.
Larry pokes up from behind her, very close. She turns around
and he kisses her firmly and roughly. Couple of angles for
this. She pulls away and looks away as Larry disappears.
She looks back and he's gone. She looks closer and sees
nothing.
(6)
Leslie is walking down the street, looking behind her. Larry
is not in the shot. As she is watching behind her, Larry
steps in front of her and she bumps into him. She turns
around as he brushes past her. She keeps on walking, but
then stops and turns around. Camera moves to reveal nobody
on the street behind her.








(7)
Leslie is asleep in bed, facing the right hand of the screen.
We see her bed from above, and there are sheets covering her.
Camera zooms in to her face, and then pans down her body to
the space between her hip and the bottom of her ribcage.
Larry's hand reaches across her body, under the sheets, and
carresses. Cut to her face as she rolls her head slightly in
her sleep then pull back slowly. Larry is revealed to be
entirely under the sheets, caressing Leslie voraciously. Cut
back to her head. Her lips have parted slightly and her eyes
are still closed. Larry's head slips from underneath the
sheet and his tongue licks into her ear. Her head tosses
slightly. Cut to a wider angle. Larry's hand is on her hip,
moving it back towards his. Cut back to the head shot.
Leslie starts to move up and down, and Larry's hand is
carressing her shoulder, and moving the sheet down her back
while sloppily kissing the back of her neck. Cut closer to
her face: her mouth opens a little wider, and her head rolls.
Her eyes open dreamily, and then her face turns to shock and
horror. She turns suddenly. Quick zoom out. Larry is no
longer there. Cut to black.
(8)
Leslie steps out of the shower, shivering and wet. She wraps
herself in a towel and looks at the mirror, which is all
fogged up. She wipes the mist off the mirror, revealing
Larry in the reflection. Cut to black.
(9)
Larry's point-of-view peeking around the corner into the
kitchen. Leslie is sitting on the floor. Cut to objective
shot with Leslie in the foreground. Larry comes close and
kneels next to her with a look of mocked sympathy on his
face. Camera pulls back, and he runs his fingers through her
hair. She looks up at him straight in the eye, coldly and
dispassionately. She thrusts a knife up into his belly, and
his eyes widen and he falls back slightly. She twists the
knife and pulls it out, and gets up and walks away. Larry
falls down. Cut to shot from below of Leslie as she stops,
and turns around, looking into the camera, shocked.
(10)
Zoom back from above Larry's face. He is lying on the floor
in a circle of light, eyes open and staring upwards. Zoom
back until Larry's whole body is revealed, with blood all
over the front of his shirt. Cut to shot of Larry's face
from the floor. Leslie steps into light in the background,
wearing a white shirt and black pants (head shaved if she'll
go for it). Cut to black.
(11)
Two guys are talking in an apartment. Leslie pokes her head
out from behind a corner, and stares at one with a wide,
leering grin. Cut to Black. Credits.







f doorways and behind signposts and mailboxes. She
 
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